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A look at the sexual and professional lives of three people — a television director, his ex-girlfriend, and a sex worker.
Every Man for Himself
Jean-Luc Godard mixes video and film in his Grenoble studio, discussing how he secured funding for the film. The action unfolds on two monitors, as a...
Number Two
While shooting a film, the director becomes interested in the unfolding struggle of a young factory worker that has been laid off by a boss who did...
Godard's Passion
The title and subtitle of this French miniseries are “Six Times Two; Over and under the media”. The “six” refers to the fact...
Six fois deux/Sur et sous la communication
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home....
Here and Elsewhere
During the making of a video film about a communist printing press, a union member and a leftist activist discuss how to present their information,...
How's It Going?
The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in...
Letter to Jane: An Investigation About a Still
Jean-Luc Godard proposes a diary of his creative process. Looking at photos of three actors, Jacques Dutronc, Isabelle Huppert, and Miou-Miou, who...
Scénario de 'Sauve qui peut la vie'
1981: at the moment the left won power, French television commissioned Godard to make a film on the theme of change. Like Lettre à Freddy...
To Alter the Image
In this astonishing twelve-part project for and about television — the title of which refers to a 19th-century French primer Le tour de la...
France / Tour / Detour / Two / Children
In these five concatenated sequences, each begun in medias res and each resulting in the same conclusion, a woman meets a man and, each time, the...
How Can I Love (A Man When I Know He Don't Want Me)
The mythical 1973-1974 strike at the LIP watch factory in Besançon (France), was one of the largest social struggles of the second half of the...
LIP or A taste for collective action